Description:Focusing on W. G. Sebald's four works of prose fiction—The Rings of Saturn, Vertigo, The Emigrants, and Austerlitz—Russell J. A. Kilbourn traces the author's abiding preoccupation with redemption in a world that has been described as postsecular. He shows that Sebald's work stands between modernism's ironic hopes for redemption and whatever comes after. Out of the spectacle of humankind's slow-motion self-destruction, a "Sebaldian subject"—masculine, melancholic, ironic, potentially queer-emerges across the four prose narratives. Alongside Sebald studies' traditional subjects, which include memory, historiography, Sebald's critique of an image-based culture, and his highly intermedial poetics, W. G. Sebald's Postsecular Redemption demonstrates Sebald's relevance for affect theory, new materialism, and the posthuman turn. It critiques the possibility of metaphysical or eroto-salvific models of redemption, arguing against the temptation of psychoanalytic interpretations, as Sebald's work of memory rejects the discourse of redemption in favor of restitution. In its consideration of Sebald's place in twentieth-century literature and after, Kilbourn's book engages with such predecessors as Nabokov, Kafka, Conrad, and Beckett, concluding with comparisons with contemporaries Claudio Magris and Alice Munro. We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with W. G. Sebald’s Postsecular Redemption: Catastrophe with Spectator. To get started finding W. G. Sebald’s Postsecular Redemption: Catastrophe with Spectator, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.
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W. G. Sebald’s Postsecular Redemption: Catastrophe with Spectator
Description: Focusing on W. G. Sebald's four works of prose fiction—The Rings of Saturn, Vertigo, The Emigrants, and Austerlitz—Russell J. A. Kilbourn traces the author's abiding preoccupation with redemption in a world that has been described as postsecular. He shows that Sebald's work stands between modernism's ironic hopes for redemption and whatever comes after. Out of the spectacle of humankind's slow-motion self-destruction, a "Sebaldian subject"—masculine, melancholic, ironic, potentially queer-emerges across the four prose narratives. Alongside Sebald studies' traditional subjects, which include memory, historiography, Sebald's critique of an image-based culture, and his highly intermedial poetics, W. G. Sebald's Postsecular Redemption demonstrates Sebald's relevance for affect theory, new materialism, and the posthuman turn. It critiques the possibility of metaphysical or eroto-salvific models of redemption, arguing against the temptation of psychoanalytic interpretations, as Sebald's work of memory rejects the discourse of redemption in favor of restitution. In its consideration of Sebald's place in twentieth-century literature and after, Kilbourn's book engages with such predecessors as Nabokov, Kafka, Conrad, and Beckett, concluding with comparisons with contemporaries Claudio Magris and Alice Munro. We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with W. G. Sebald’s Postsecular Redemption: Catastrophe with Spectator. To get started finding W. G. Sebald’s Postsecular Redemption: Catastrophe with Spectator, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.