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Kronotopografije plesa: Dve razpravi

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Description:Razpravi v knjigi Kronotopografije plesa sta nastali na podlagi nekajletnih raziskovanj sodobnega plesa, ki so avtorici povezali v dialoško izmenjavo.Razpravo Zapisovanje gibanja: dramaturška meditacija o kulturni zgodovini plesnih notacij Ede Čufer je motiviralo avtoričino dolgoletno praktično dramaturško delo in njeno zanimanje za oblike in strategije zapisa, ki bi lahko v modernih in sodobnih izvajalskih umetnostnih praksah predstavljale alternativo tradicionalnemu dramskemu tekstu.Razpravo Ideologije plesnega telesa Katje Praznik je po drugi strani motiviralo avtoričino zanimanje za teoretski diskurz in poskus vzpostavljanja konceptov, s katerimi bi bilo mogoče artikulirati telesnost in njeno funkcijo v plesni umetnosti. Razpravi povezuje kontekst, saj skušata vzpostaviti diskurz o plesu, ki je v slovenskem kulturnem prostoru izrazito marginaliziran. Skupni naslov Kronotopografije plesa poudarja skupni horizont razmisleka; to je usidranost v teorije in diskurze, ki so se razvili iz epistemološkega obrata, ki sta ga na začetku 20. stoletja izzvala Einsteinova relativnostna teorija in njen imperativ po nedeljivosti prostora in časa. Plesna umetnost je ultimativna konkretizacija in hkrati metafora nedeljivosti prostora in časa, uma in telesa ter objektivnih in subjektivnih aspektov človeškega bitja. Kronotopografije kot »prostor-časovne pisave« z razpravama dobijo dvojni pomen in se na eni strani nanašajo na potrebo po racionalizaciji in simbolnem zapisovanju telesnosti in gibanja, na drugi strani pa aktualizirajo zavest, da je vsako gibanje telesa, ki za sabo vedno pušča materialne sledi, tako v materialnih podlagah kot v percepciji ljudi, že neke vrste zapis, ki ga je treba dekodirati.Eda Čufer je na Tednu slovenske drame je v letu 2011 prejela bienalno Grün-Filipičevo priznanje za razpravo Zapisovanje gibanja: dramaturška meditacija o kulturni zgodovini plesnih notacij, ki je izšla v knjigi Kronotopografije plesa. S podelitvijo nagrade je žirija afirmirala izjemni dramaturški in teoretski prispevek Ede Čufer sodobnim scenskim umetnostim zadnjih treh desetletij v Sloveniji in dodala, da je s svojim dramaturškim delom v devetdesetih letih redefinirala in razširila pristojnosti dramaturgov.****The two studies in the book Chronotopographies of Dance are a result of several years of research on contemporary dance combined into a dialogical exchange. Eda Čufer's text Writing Movement: a Dramaturgical Meditation on the Cultural History of Dance Notations is motivated by the author's long-standing practical dramaturgical work and her interest in the types of written records and strategies used in creating them, which could present an alternative to traditional dramatic texts in modern and contemporary performing arts practices.Ideologies of the Dancing Body by Katja Praznik is on the other hand motivated by her interest in theoretical discourse, which led her to attempt to formulate concepts that would enable articulation of corporeality and its function in the art of dance. The studies are contextually linked, as both attempt to constitute a discourse on dance, which has been conspicuously marginalised in the Slovene cultural space.The book's title, Chronotopographies of Dance, emphasises the common conceptual horizon of the studies – they are both grounded in the theories and discourses developed from an epistemological shift brought about by Einstein's theory of relativity and its imperative of the indivisibility of time and space. Dance art is the ultimate concretisation and at the same time a metaphor of the indivisibility of time and space, mind and body, and objective and subjective aspects of man. With the two studies Chronotopographies as “spacetime writing” thus get a double meaning, relating on the one hand to the need for rationalisation and symbolic writing of corporeality and moving and on the other actualising the awareness that a body in motion, which always leaves behind material traces, both materially as well as in people's perception, is already a kind of writing that has to be decoded.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Kronotopografije plesa: Dve razpravi. To get started finding Kronotopografije plesa: Dve razpravi, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

Pages: 290

Format: PDF, EPUB & Kindle Edition

Publisher: Emanat

Release: 2010

ISBN: 9619199073

Description: Razpravi v knjigi Kronotopografije plesa sta nastali na podlagi nekajletnih raziskovanj sodobnega plesa, ki so avtorici povezali v dialoško izmenjavo.Razpravo Zapisovanje gibanja: dramaturška meditacija o kulturni zgodovini plesnih notacij Ede Čufer je motiviralo avtoričino dolgoletno praktično dramaturško delo in njeno zanimanje za oblike in strategije zapisa, ki bi lahko v modernih in sodobnih izvajalskih umetnostnih praksah predstavljale alternativo tradicionalnemu dramskemu tekstu.Razpravo Ideologije plesnega telesa Katje Praznik je po drugi strani motiviralo avtoričino zanimanje za teoretski diskurz in poskus vzpostavljanja konceptov, s katerimi bi bilo mogoče artikulirati telesnost in njeno funkcijo v plesni umetnosti. Razpravi povezuje kontekst, saj skušata vzpostaviti diskurz o plesu, ki je v slovenskem kulturnem prostoru izrazito marginaliziran. Skupni naslov Kronotopografije plesa poudarja skupni horizont razmisleka; to je usidranost v teorije in diskurze, ki so se razvili iz epistemološkega obrata, ki sta ga na začetku 20. stoletja izzvala Einsteinova relativnostna teorija in njen imperativ po nedeljivosti prostora in časa. Plesna umetnost je ultimativna konkretizacija in hkrati metafora nedeljivosti prostora in časa, uma in telesa ter objektivnih in subjektivnih aspektov človeškega bitja. Kronotopografije kot »prostor-časovne pisave« z razpravama dobijo dvojni pomen in se na eni strani nanašajo na potrebo po racionalizaciji in simbolnem zapisovanju telesnosti in gibanja, na drugi strani pa aktualizirajo zavest, da je vsako gibanje telesa, ki za sabo vedno pušča materialne sledi, tako v materialnih podlagah kot v percepciji ljudi, že neke vrste zapis, ki ga je treba dekodirati.Eda Čufer je na Tednu slovenske drame je v letu 2011 prejela bienalno Grün-Filipičevo priznanje za razpravo Zapisovanje gibanja: dramaturška meditacija o kulturni zgodovini plesnih notacij, ki je izšla v knjigi Kronotopografije plesa. S podelitvijo nagrade je žirija afirmirala izjemni dramaturški in teoretski prispevek Ede Čufer sodobnim scenskim umetnostim zadnjih treh desetletij v Sloveniji in dodala, da je s svojim dramaturškim delom v devetdesetih letih redefinirala in razširila pristojnosti dramaturgov.****The two studies in the book Chronotopographies of Dance are a result of several years of research on contemporary dance combined into a dialogical exchange. Eda Čufer's text Writing Movement: a Dramaturgical Meditation on the Cultural History of Dance Notations is motivated by the author's long-standing practical dramaturgical work and her interest in the types of written records and strategies used in creating them, which could present an alternative to traditional dramatic texts in modern and contemporary performing arts practices.Ideologies of the Dancing Body by Katja Praznik is on the other hand motivated by her interest in theoretical discourse, which led her to attempt to formulate concepts that would enable articulation of corporeality and its function in the art of dance. The studies are contextually linked, as both attempt to constitute a discourse on dance, which has been conspicuously marginalised in the Slovene cultural space.The book's title, Chronotopographies of Dance, emphasises the common conceptual horizon of the studies – they are both grounded in the theories and discourses developed from an epistemological shift brought about by Einstein's theory of relativity and its imperative of the indivisibility of time and space. Dance art is the ultimate concretisation and at the same time a metaphor of the indivisibility of time and space, mind and body, and objective and subjective aspects of man. With the two studies Chronotopographies as “spacetime writing” thus get a double meaning, relating on the one hand to the need for rationalisation and symbolic writing of corporeality and moving and on the other actualising the awareness that a body in motion, which always leaves behind material traces, both materially as well as in people's perception, is already a kind of writing that has to be decoded.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Kronotopografije plesa: Dve razpravi. To get started finding Kronotopografije plesa: Dve razpravi, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

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