Description:Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself --Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the Black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible. In addition to Deleuze, Keeling draws on the thought of Frantz Fanon, Angela Davis, Karl Marx, Antonio Gramsci, and others. She pursues the elusive figure of the Black femme through Haile Gerima's film Sankofa (1993), images of women in the Black Panther Party, Pam Grier's roles in early 1970s Blaxploitation films, F. Gary Gray's film Set It Off (1996), and Kasi Lemmons's Eve's Bayou (1997).We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense. To get started finding The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.
Pages
—
Format
PDF, EPUB & Kindle Edition
Publisher
—
Release
—
ISBN
0822340259
The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense
Description: Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. Drawing on Gilles Deleuze's notion of "the cinematic"--not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself --Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the Black femme as a figure who, even when not explicitly represented within hegemonic cinematic formulations of raced and gendered subjectivities, nonetheless haunts those representations, threatening to disrupt them by making alternative social arrangements visible. In addition to Deleuze, Keeling draws on the thought of Frantz Fanon, Angela Davis, Karl Marx, Antonio Gramsci, and others. She pursues the elusive figure of the Black femme through Haile Gerima's film Sankofa (1993), images of women in the Black Panther Party, Pam Grier's roles in early 1970s Blaxploitation films, F. Gary Gray's film Set It Off (1996), and Kasi Lemmons's Eve's Bayou (1997).We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense. To get started finding The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.