Description:An impressive overview of drawing in Venice, from the time of Titian and Tintoretto to that of Canaletto and TiepoloFrom the time of Titian and Tintoretto to that of Canaletto and Tiepolo, drawing was an important part of artistic practice and was highly valued in Venice. This exciting new study overturns traditional views on the significance of drawing in Venice, as an art and an act, from the Renaissance to the age of the Grand . Gathering together the separate strands of theory, artistic practice, and collecting, Catherine Whistler highlights the interactions and tensions between a developing literary discourse and the practices of making and collecting graphic art. Her analysis challenges the conventional definition of Venetian art purely in terms of color, demonstrating that 16th-century Venetian artists and writers had a highly developed sense of the role and importance of disegno and drawing in art. The book’s generous illustrations support these striking arguments, as well as conveying the great variety, interest, and beauty of the drawings themselves. We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Venice and Drawing 1500-1800: Theory, Practice and Collecting. To get started finding Venice and Drawing 1500-1800: Theory, Practice and Collecting, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.
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0300187734
Venice and Drawing 1500-1800: Theory, Practice and Collecting
Description: An impressive overview of drawing in Venice, from the time of Titian and Tintoretto to that of Canaletto and TiepoloFrom the time of Titian and Tintoretto to that of Canaletto and Tiepolo, drawing was an important part of artistic practice and was highly valued in Venice. This exciting new study overturns traditional views on the significance of drawing in Venice, as an art and an act, from the Renaissance to the age of the Grand . Gathering together the separate strands of theory, artistic practice, and collecting, Catherine Whistler highlights the interactions and tensions between a developing literary discourse and the practices of making and collecting graphic art. Her analysis challenges the conventional definition of Venetian art purely in terms of color, demonstrating that 16th-century Venetian artists and writers had a highly developed sense of the role and importance of disegno and drawing in art. The book’s generous illustrations support these striking arguments, as well as conveying the great variety, interest, and beauty of the drawings themselves. We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Venice and Drawing 1500-1800: Theory, Practice and Collecting. To get started finding Venice and Drawing 1500-1800: Theory, Practice and Collecting, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.